I'm here, but I'm only newly subscribed to the list. I'm not sure what
of things you folks talk about here. I should check what's in the files, I
suppose before I begin, but really, I'd like to see how you all respond to
Mark Twain scholarship promotes a vision of Clemens'
masterpieces that accords with a male definition of
"American." Nina Baym calls this paradigm the "drama
of beset manhood," in which an author struggles to
establish himself against hordes of horrible women
writers. This critical aesthetic originated in the
post-world war I period as a result of newly professionalized
male profs of lit seeking to consolidate their cultural
authority over women.
Thus "sivilization" in HUCK FINN becomes the agency of
of women from which Huck rightfully wants to escape,
and because of which he and Jim become buddies, indirectly
endorsing the melting pot theory.
Looking at this from the perspective of nineteenth-century
intellectual context, though, one could suggest that
"sivilization" might instead be seen as a phase in
cultural evolution that comes after "barbarism" and
"savagery" and has nothing to do with women at all.
Is this confrontational? I hope not. The reason it's on my mind is because
I was recently at a conference where the folks vowed on stacks of bibles
never to teach Mark Twain ever, ever again because of the "drama of
beset manhood" reading of the works. I'm curious what other Mark Twain