TWAIN-L Archives

Mark Twain Forum

TWAIN-L@YORKU.CA

Options: Use Forum View

Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Taylor Roberts <[log in to unmask]>
Reply To:
Mark Twain Forum <[log in to unmask]>
Date:
Fri, 3 Feb 1995 23:24:52 EST
Content-Type:
text/plain
Parts/Attachments:
text/plain (49 lines)
The Mark Twain Forum needs a reviewer for the following book:

     Randall Knoper.  _Acting Naturally: Mark Twain in the Culture of
     Performance_.  Berkeley: University of California Press, 1995.  Pp.
     ix + 240.  $35.00.  Cloth, 6-1/2" x 9-1/4".  ISBN 0-520-08619-8.

The jacket describes it thus:

     The phenomenon of performance is central to Mark Twain's writing
     and persona.  But Twain's performative aspects have usually been
     dismissed as merely theatrical and discounted as lowbrow burlesque.
     In _Acting Naturally_, Randall Knoper takes Twain's theatricality
     seriously, situating it in the culture of nineteenth-century
     popular performance ranging from blackface minstrelsy to the
     exhibitions of mesmerists and mediums.  In so doing, he shows how
     Twain's work both echoes and engages the social and cultural
     problems embodied in such entertainments--the breach between high
     and low cultures, the uncertain signs of authenticity and
     sincerity, crises in the public presentation of gendered and racial
     selves, and the economics of commodities and their conspicuous
     display.

     Drawing on a wide array of interrelated contexts, such as theater
     history, theories of acting and bodily expression, new
     understandings of psychology and physiology, scientific accounts of
     spiritualism, and experiences of urban and commercial spectacles,
     Knoper demonstrates how carefully Twain used ideas of "acting" and
     the "natural" to explore expression and creativity.  Twain
     understood representation itself in terms of the continuum of
     performance, from mimicry and theatrical effect to unconscious
     slips of body and tongue.  His preoccupation with performance, and
     its extremes of posing and authenticity, led Twain deeply into
     nineteenth-century anxieties about the security of meaning and of
     sexual, racial, and social identity.

     By examining the many issues attending "performance" in Mark
     Twain's writings and American culture, _Acting Naturally_ provides
     a new understanding of Twain as an artist as well as a view of a
     culture whose entertainment registered the social, economic, and
     scientific forces that were transforming it.

As always, the review should be of publishable quality, and the deadline
would be two months from your receipt of the book.  If I don't know you,
it would be helpful for you to explain in what respect you're qualified
to write this review.  I look forward to hearing from you.

Taylor Roberts
Coordinator, MT Forum

ATOM RSS1 RSS2