RE: Twain and the Martin guitar Please note that aficianados of antique guitars have long doubted the veracity of the story RE: Twain's guitar, although a photo of the purported guitar did appear in Acoustic Guitar a few years ago. First of all, note that, in ROUGHING IT, Twain does not mention any guitar, although he does make note of the heavy dictionary that he occasionally used as a pillow on the stage trip to the West. Although guitars at that time were smaller than today's models and are referred to as "parlor" guitars, the best guitars, and Martins were, and still are, the best, came in hard wood cases, commonly referred to as "coffin" cases due to their shape. Any such case would have been quite bulky and noticeable on the trip west. Secondly, Martin guitars, made in Nazareth, Pennsylvania, then as now, are on the expensive side, to the extent that the purchase of a Martin, then as now, would likely be considered only by a very competent, experienced player, and there is no evidence that Twain qualifies in this regard. Shipping a guitar like a Martin as far west as St. Louis would have been an expensive proposition in those days and besides, many cheaply-made, inexpensive guitars would have been readily available. Also, Christian Friedrich Martin moved the company he founded in 1833 in New York City to Nazareth, Pennsylvania in 1839, where it thrives to this day. It's only a guess, but the Martin Company has extensive sales records and to this day advertises its guitars in conjunction with famous players, e.g., recent ads associating a Martin with Johnny Cash's "Folsum Prison Blues." Certainly Martin would take advantage of any known association with an American celebrity like Twain. Mike Longworth, Martin's official historian, published many detailed descriptions of the entire Martin line of models during his lifetime and never once mentioned Twain. In my opinion, and that of other acoustic guitar fans, the account of the Twain Martin is likely bogus, and could be motivated by the possibility of increasing the purported Twain instrument's value. Until there is written documentation on the part of Twain, a sales record from the Martin Company or one of its agents, or independent documentation such as a photograph of Twain in the vicinity of the instrument in question, the existence of a Twain-Martin guitar should be taken with quite a few grains of salt and considered to "be greatly exaggerated." Martin Zehr Kansas City, Missouri