In a message dated 4/15/2007 8:00:04 P.M. Pacific Daylight Time, [log in to unmask] writes: This very lack of agreement on the book makes it even more disturbing. Is _Huckleberry Finn_ a racist book or an antiracist book? Regardless of our own opinions, there is still no consensus on that fundamental question. Is it possible that the novel is both racist and antiracist at the same time? That in itself is yet another disturbing thought. Kent, very good and "disturbing" review. You've made me put it on my list of works to read. [On a side note, your spam filter may be catching my emails to you?] It comes as a surprise to me that though there may be "disagreement" on aspects of the book, and some strident quarters who have always wanted to paint the book as "coarse" (Concord Library) or "racist" (ad nauseum) that you would offer there is "no consensus on the fundamental question"--that is, if the book is racist, and by extension, if Sam was racist. Clearly, he grew out of that position and was far in advance of his nation on these issues as he grew into adulthood. It would seem to me that only chuckleheaded mule-drivers would argue the book is racist--those who know little about Sam's life (or those uninitiated few who pick up the book, see the N-word and run in horror for the R-word). But, I may be wrong, perhaps in this antiseptic social climate there is no consensus on any large question. The evolution of Sam's feelings and regard for the Negro race (I use his term here) is clear in the record, from Auntie Cord's narrative to the John T. Lewis episode to his sponsorship of a black for a college degree. There *may* be disagreement, granted, but consensus? Clearly, there is, or am I simply delusional? But not to pickle about on your choice of words, even though a lot of the smoke on such issues surround the use of certain words. The R-word is our current "worst" label, but it was not used as such in Sam's time, and I grow tired of using a contemporary lens to judge historical figures. Was it simple coincidence that Sam began HF during the nation's Centennial? Was it also coincidence that the completion of the book came after the failure of Reconstruction and the removal of all Federal troops from the South? Wasn't Jim Crow the spur that led Sam away from a simple "boys' book" following up *Tom Sawyer* to larger social and moral questions dealing with ex-slaves? Isn't the subtle and powerful way it deals with race, society, conscience and humanity why it is considered Clemens' masterpiece? And isn't Jim the shining example of what the human heart can achieve? Both racist and anti-racist? "A house divided against itself cannot stand"--Sam would agree with that biblical aphorism of Christ so often attributed to Lincoln. The suggestion that HF is both racist and anti-racist seems way off the mark to me, the sort of question which may lend itself to confusion. Samuel Clemens was a complex and often contradictory person, but he would not have written such a book to be in conflict on such an important issue. Consensus? If there is none, I'd say the country still lags behind the man in enlightenment. David H. Fears