Bob-- Thanks, that kind of dccumentation is what we still call scholarship. Grazie mille, --LH On Sep 3, 2010, at 12:27 PM, Robert Hirst wrote: > John and Larry, > > Lou Budd published that conjecture back in 1985. In 1997 (i.e., > prehistoric times) I > posted the following to the Forum as part of a discussion of that > photograph. > > *Date:* Thu, 10 Apr 1997 12:36:58 -0700 > *Reply-To:* Mark Twain Forum<[log in to unmask] <https://listserv.yorku.ca/cgi-bin/wa?LOGON=A2%3Dind9704%26L%3DTWAIN-L%26P%3DR1855%26I%3D-3 > >> > *Sender:* Mark Twain Forum<[log in to unmask] <https://listserv.yorku.ca/cgi-bin/wa?LOGON=A2%3Dind9704%26L%3DTWAIN-L%26P%3DR1855%26I%3D-3 > >> > *From:* Robert Hirst<[log in to unmask] <https://listserv.yorku.ca/cgi-bin/wa?LOGON=A2%3Dind9704%26L%3DTWAIN-L%26P%3DR1855%26I%3D-3 > >> > *Subject:* Re: Barechested Photo > *In-Reply-To:* <l03010d02af72e0c3e2c3@[198.206.239.85]> > *Content-Type:* TEXT/PLAIN; charset=US-ASCII > > See Louis J. Budd, "`A Nobler Roman Aspect' of *Adventures of > Huckleberry Finn*" in *One Hundred Years of Huckleberry Finn,* ed. > Robert Sattlemeyer and J. Donald Crowley, 1985, pp. 26-40. Columbia: > University of Missouri Press. > > When that proved to too enigmatic, I posted the following: > > *Date:* Thu, 10 Apr 1997 16:25:52 -0700 > *Reply-To:* Mark Twain Forum<[log in to unmask] <https://listserv.yorku.ca/cgi-bin/wa?LOGON=A2%3Dind9704%26L%3DTWAIN-L%26P%3DR1872%26I%3D-3 > >> > *Sender:* Mark Twain Forum<[log in to unmask] <https://listserv.yorku.ca/cgi-bin/wa?LOGON=A2%3Dind9704%26L%3DTWAIN-L%26P%3DR1872%26I%3D-3 > >> > *From:* Robert Hirst<[log in to unmask] <https://listserv.yorku.ca/cgi-bin/wa?LOGON=A2%3Dind9704%26L%3DTWAIN-L%26P%3DR1872%26I%3D-3 > >> > *Subject:* Budd on photo > *In-Reply-To:* <[log in to unmask] <https://listserv.yorku.ca/cgi-bin/wa?LOGON=A2%3Dind9704%26L%3DTWAIN-L%26P%3DR1872%26I%3D-3 > >> > *Content-Type:* TEXT/PLAIN; charset=US-ASCII > > Mr. Henninger, Lou Budd's essay is about the heliotype of the Gerhardt > bust of Clemens that serves as one of the frontispieces to *Huck > Finn*. > His comment on the photograph comes entirely in his footnote 3: > "Twainians have wondered over a stripped-to-the-waist photograph, > reproduced in Milton Meltzer, *Mark Twain Himself* (New York: Crowell, > 1960), p. 182. Perhaps it was posed for the use of Gerhardt, who > wanted > photographs of his subject; see the anecdote in *Mark Twain-Howells > Letters*, 2:498." The simplicity of this observation belies its power. > First of all, the photograph had already been independently dated > 1884, > just on the basis of its similarity to other known photos of that > time. > Second, as any sculptor will tell you, it is necessary to see the > shoulders in order to get the neck right. Third, the Gerhardt bust > shows > Clemens without so much as a shirt collar or necktie. In short, the > argument uses one document (the bust) to explain the existence and > purpose of another (the photo). Elegant. I'd note further that the > lack > of this or any comparable explanation also helps explain previous > comments on the photo. Justin Kaplan printed the photo in his 1966 > biography with the following caption: "Nearing 50, probably a private > joke." But Kaplan has no *evidence* that the photo was part of a joke, > private or otherwise--he's just projecting his own reaction onto it > (`since it seems funny to me, its purpose must be a joke'). Naturally > other readers will project other feelings and conclusions and guesses > onto what seems both odd and unexplained, as we've seen already on the > FORUM. It's hard to make any progress that way. Budd's argument may > prove mistaken in the end, but at least it is based on documents, on > physical evidence. It's what used to be known as scholarship. > > Forum members might like to know, in addition, that the only original > print of the photograph that I'm aware of is in the Mark Twain Papers, > and that it was sent to the Papers when Henry Nash Smith was editor by > Avis DeVoto, shortly after she gave her husbands's papers to Stanford. > She obviously recognized that DeVoto had inadvertently left it out of > the archive that he turned over to Dixon Wecter in the mid 1940s. > > Bob Hirst