Content-Type: |
text/plain; charset=UTF-8 |
Sender: |
|
Subject: |
|
From: |
|
Date: |
Sat, 27 Aug 2016 21:30:14 -0400 |
In-Reply-To: |
|
MIME-Version: |
1.0 |
Reply-To: |
|
Parts/Attachments: |
|
|
Hi again. This just intrigues the hell out of me. Truly tantalizing,
because I seem to recall reading exactly the kind of passage you described.
I tried to check out the Bedford Reader -- your possible source? -- but all
I could find was that the 1985 edition seemed to include Twain's "Corn Pone
Opinions" essay. Not what we're looking for, alas.
*_________________________________*
*Peter Salwen /* salwen.com
*114 W 86, NYC 10024 | 917-620-5371*
On Wed, Aug 24, 2016 at 8:33 PM, Wesley Britton <[log in to unmask]> wrote:
>
>
> I have a question about one passage in Life on the Mississippi. I suspect
> it
> will be very familiar to many of you.
>
>
>
> It's the passage where we first get a birds-eye view of a place along the
> river before Twain narrows his focus to one town, then one street, then one
> house, then a sleeping man on a porch.
>
>
>
> Back in grad school, a professor used a term to define this technique of
> moving from the general to the specific, but I can't figure out now what
> term he meant.
>
>
>
> Any ideas?
>
>
>
>
>
>
>
>
>
> Dr. Wesley Britton
>
> Author, Beta-Earth Chronicles
>
> www.drwesleybritton.com
>
>
>
|
|
|