Jean:  Hopefully you’ll soon be able to let the community know how/why the
renegotiated NAFTA extension from 50 to 70 years affects archival materials.

Ralph Coram 
Canadian Jazz Archives Network

> ---------- Original Message ----------
> From: Jean Dryden <[log in to unmask]>
> Date: September 30, 2018 at 2:09 PM
> 
> 
> Apologies for cross-posting
> 
> The School of Continuing Studies at the University of Toronto is offering
> the following four copyright courses this fall:
> 
> *Copyright**: An Overview* is offered 12 October 2018
> 
> This course explains how copyright law works and presents the copyright
> rules (including the 2012 amendments and relevant case law) that determine
> duration and ownership of copyright and the respective rights of copyright
> owners and users of copyrighted material (including fair dealing and the
> exceptions for libraries, archives, and museums).
> 
> For more information and registration details, see
> http://learn.utoronto.ca/interactive-course-search#/profile/3073
> 
> *Copyright** in Images* (26 October 2018)
> 
> Canada's Copyright Act places paintings, drawings, photographs, maps, and
> architectural plans in the category of “artistic works,” but they are not
> all subject to the same copyright rules. The 2012 amendments to the
> Copyright Act affected the provisions relating to photographs and the
> operation of copyright in the digital environment. This course presents the
> copyright rules (including the recent amendments and relevant case law)
> that apply specifically to “artistic works”. The course concludes with a
> case study that gives participants an opportunity to apply the rules.
> 
> For more information and registration details, see
> http://learn.utoronto.ca/interactive-course-search#/profile/3074
> 
> *Copyright** in Audiovisual Materials* (9 November 2018)
> 
> Applying copyright law to audio visual materials is particularly
> challenging. This course will help you understand the complex rules and
> rights involved. You'll explore the rules that apply to sound recordings
> and moving images, including copyright ownership, the duration of copyright,
> exclusive rights of owners, and exceptions that apply to libraries,
> archives, and museums.
> 
> For more information and registration details, see
> http://learn.utoronto.ca/interactive-course-search#/profile/3181.
> 
> *Copyright** & Permissions: Reproduction & Reuse of Archival Materials* (7
> December 2018)
> 
> This one-day course explores why some institutions try to control the use
> of archival holdings, even with no copyright interests to protect and
> little likelihood of effective policing. You’ll learn to distinguish
> between copyright issues and other reasons for controlling reuse, and to
> identify various issues to consider when developing reproduction and
> permission policies that are consistent both with the law and an
> institution's ethical practice, financial situation and mission.
> 
> For more information and registration details, see
> http://learn.utoronto.ca/interactive-course-search#/profile/3180.
> 
> 
> Jean Dryden <https://www.linkedin.com/in/jean-dryden-609a38142/>
> https://www.linkedin.com/in/jean-dryden-609a38142/
> 
> ====================================

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