TWAIN-L Archives

Mark Twain Forum

TWAIN-L@YORKU.CA

Options: Use Forum View

Use Monospaced Font
Show Text Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Content-Type:
text/plain; charset=UTF-8
Sender:
Mark Twain Forum <[log in to unmask]>
Subject:
From:
Peter Salwen <[log in to unmask]>
Date:
Sat, 27 Aug 2016 21:30:14 -0400
In-Reply-To:
MIME-Version:
1.0
Reply-To:
Mark Twain Forum <[log in to unmask]>
Parts/Attachments:
text/plain (54 lines)
Hi again. This just intrigues the hell out of me. Truly tantalizing,
because I seem to recall reading exactly the kind of passage you described.

I tried to check out the Bedford Reader -- your possible source? -- but all
I could find was that the 1985 edition seemed to include Twain's "Corn Pone
Opinions" essay. Not what we're looking for, alas.

*_________________________________*

*Peter Salwen /* salwen.com
*114 W 86, NYC 10024 | 917-620-5371*


On Wed, Aug 24, 2016 at 8:33 PM, Wesley Britton <[log in to unmask]> wrote:

>
>
> I have a question about one passage in Life on the Mississippi. I suspect
> it
> will be very familiar to many of you.
>
>
>
> It's the passage where we first get a birds-eye view of a place along the
> river before Twain narrows his focus to one town, then one street, then one
> house, then a sleeping man on a porch.
>
>
>
> Back in grad school, a professor used a term to define this technique of
> moving from the general to the specific, but I can't figure out now what
> term he meant.
>
>
>
> Any ideas?
>
>
>
>
>
>
>
>
>
> Dr. Wesley Britton
>
> Author, Beta-Earth Chronicles
>
> www.drwesleybritton.com
>
>
>

ATOM RSS1 RSS2